Work CV Contact
Posters for the crowd.

I create images that turn a concert into something more memorable — something that can stay as a scene.
Placed on-site and shared with the audience, the work moves from screen into real space.
This project is an ongoing experiment to see how far an image can reach,
how it can affect people, and how it can stay with them as a memory.

GENESIS MAGMA RACING     SPECIAL CARD THE NEIGHBOURHOOD POSTER HONNE 10TH ANNIVERSARY POSTER DANIEL CAESAR POSTER HIPHOPPLAYA FESTIVAL POSTER ONEOHTRIX POINT NEVER POSTER CENTRAL CEE POSTER GIVEON POSTER KC POSTER DOJA CAT POSTER TRAVIS SCOTT POSTER OASIS POSTER TYLER, THE CREATOR POSTER
Posters for the crowd.
I create images that turn a concert into something more memorable — something that can stay as a scene.
Placed on-site and shared with the audience, the work moves from screen into real space.
This project is an ongoing experiment to see how far an image can reach,
how it can affect people, and how it can stay with them as a memory.


관객을 위한 포스터.
공연을 조금 더 특별하게 기억할 수 있도록 하나의 장면으로 남는 이미지를 만듭니다.
현장에 직접 부착하고 관객들과 나누는 과정을 통해, 작업은 화면에서 현실로 이동합니다.
이 프로젝트는 이미지가 얼마나 많은 사람들에게 닿고, 영향을 주며, 기억으로 남을 수 있는지를 실험합니다.
FC BARCELONA POSTER KANYE WEST POSTER FRED AGAIN.. POSTER






<문지방 아래 틔운 자리> Poster

The exhibition explores boundaries that remain unseen, yet undeniably present—spaces that exist in between.
In response, I focused on visualizing sensations and traces of memory that often go unnoticed.
Through layered textures, diffused particles, and wave-like structures, the poster captures a state that lingers between boundaries—
revealing the presence of spaces that are easily overlooked.


                                                                                                                                  장소 ㅣ Sahng-up Gallery
                                                                                                                                  참여 ㅣ Poster
                                                                                                                                  연도 ㅣ 2025










<Rotation>, <Everything That Breathes>

This work begins with the flow and act of washing at the Wonsuh-dong laundry site,
and extends into rotation — a structure of repetition and circulation.
As things are washed away, what remains begins to build and shift through repetition,
eventually taking on a form of breath.
Across both exhibitions, this process unfolds as a movement from cleansing to circulation,
revealing a sense of breath that emerges along the way.


                                                                                                                                  장소 ㅣ Gallery lim, insa1010                                                                                                                                
                                                                                                                                  분야 ㅣ Graphic, Photography
                                                                                                                                  구성 ㅣ Main + 3 Series
                                                                                                                                  매체 ㅣ Pigment Print
                                                                                                                                  크기 ㅣ 103 x 72.8 cm, 22.1 x 15 cm
                                                                                                                                  연도 ㅣ 2025

숨을 삼킨 빛
103x72.8cm, Pigment Print
탁류
22.1x15cm, Pigment Print
분해
22.1x15cm, Pigment Print
흔적
22.1x15cm, Pigment Print
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@insa__1010










Trace of Circulation

Formed through hours of exploration, the darkness, subtle light, and constantly shifting textures of the cave were recorded over time.
These images move beyond documentation, reconstructed within a single surface where fragmented experiences come together as one work.
In this process, natural elements—leaves, water, light, and motion—pass through a digital surface and are transformed into a new structure.
Rather than depicting wind itself, the work focuses on its traces and movement.
Through repetition, rhythm, and reassembled fragments, the images retain an organic quality while gradually revealing an underlying system.
What was once physical motion is translated into data, circulation, and visual residue.
This work exists both as a record of exploration and as a reflection of how those experiences are restructured within a digital environment.